Anyone Eligible Interpreting G30S
By SUNNY BOY OF COAL
A phenomenon or an event that comes every day and decided, consciously or not, can be considered as an "ordinary occurrence" or "just routine" to be executed. This statement would be true. However, the incidence of a phenomenon or could be "created" by its very definition. An image can deliver economic benefits, the authority to rule for individuals and groups, because the image can be formed or "reconstructed" through print, media hearing, visual else we consume each day. If done repeatedly, the image will be repeated and accepted a position to become a "social memory" in the minds of individuals or groups.
G-30 or the 30th September Movement is a series of words that once positioned in our minds, society, and a social memory that should not be interpreted frightening existence. Who would dare to interpret is sanctioned calls to clarify, even imprisoned were eliminated (see Bali Bali stab works Aryantha Soethama and Field Gde Island Black Gods: Massacre in Bali Ngurah Suryawan 1965 I work).
Although times have changed era, the phrase "re-interpreted" as a version of the interpretation of freedom of the September 30th Movement has sprung up, one of which materialized through the event titled 30 S Movement held several artists Institut Seni Indonesia Denpasar in Kriya Art Center, September 2008. This activity is considered controversial, whereas 30 S movement is not a movement of the left or right - it is clearly implied in its catalog (page 1, Introduction to Herbal Drink) - but the movement of 30 artists who only use that moment in September. They have a goal of making the exhibition and dialogue their artworks. Indeed, in the exhibition displayed artwork Hammer-Sickle in the cans are painted red and white with the title Recycling Symbols Marxist works I Made Agus Swesnawa (see exhibit G 30 S, TNI / Police Move / Coat Secured PKI, Denpost, October 19, 2008 ).
Hukumkah breaking artists with expressions and dialogue?
Simply put, from this phenomenon could conclude that a "social memory" provide electrical "traumatic" in the minds of several layers of certain professional groups. The question then comes down to not what is right and what is wrong, but freedom of expression to portray a different version is the right of any individual or group. Reconstruct an image or figure, when seen from the perspective of the world of advertising (advertising), is a true mental game created and formed by the words in the minds of every individual for a particular purpose, "... because this is just an image problem and it essentially means it can be changed. "
An "interpretation" is material or "basic material" that can be processed into a power tool as a "commentary" is "good will" that could bring financial benefits sociologically and psychologically management was going "exegesis" which could mean either by the authorities or the hegemony the creation of "image" to perpetuate the status quo and prolonged paranoia in society.
SUNNY BOY COAL is Director of the Research Institute Jangkang.